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Words near each other
・ Close-coupled sedan
・ Close-in weapon system
・ Close-mid back rounded vowel
・ Close-mid back unrounded vowel
・ Close-mid central rounded vowel
・ Close-mid central unrounded vowel
・ Close-mid front rounded vowel
・ Close-mid front unrounded vowel
・ Close-mid vowel
・ Close-minded
・ Close-out (aerospace)
・ Close-packing of equal spheres
・ Close-ratio transmission
・ Close-up
・ Close-Up (1948 film)
Close-Up (1990 film)
・ Close-Up (The Kingston Trio album)
・ Close-Up (toothpaste)
・ Close-up filter
・ Close-up Gendai
・ Close-Up Series
・ Close-Up Vol. 1, Love Songs
・ Close-Up Vol. 2, People & Places
・ Close-Up Vol. 3, States of Being
・ Close-Up Vol. 4, Songs of Family
・ Closeburn
・ Closeburn Castle
・ Closeburn railway station
・ Closeburn, Dumfries and Galloway
・ Closeburn, New Zealand


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Close-Up (1990 film) : ウィキペディア英語版
Close-Up (1990 film)

''Close-Up'' ((ペルシア語:کلوزآپ ، نمای نزدیک), ''Klūzāp, nemā-ye nazdīk'') is a 1990 Iranian docufiction written, directed and edited by Abbas Kiarostami. The film tells the story of the real-life trial of a man who impersonated film-maker Mohsen Makhmalbaf, conning a family into believing they would star in his new film. It features the people involved, acting as themselves. A film about human identity, it helped to increase recognition of Kiarostami in the West.
Many critics consider ''Close-Up'' a masterpiece of world cinema; in the 2012 ''Sight & Sound'' poll, it was voted by critics onto "The Top 50 Greatest Films of All Time" list.
==Plot==

Hossain Sabzian is a cinephile, and in particular a big fan of popular Iranian director Mohsen Makhmalbaf. One day, Sabzian is riding a bus with a copy of the novel ''The Cyclist''; Mrs. Ahankhah sits next to him, revealing she is a fan of the novel's film adaptation. Sabzian tells her that he himself is Makhmalbaf, the maker. She is then surprised that a famous director would ride public transportation; Sabzian explains in response (posing as Makhmalbaf) that he finds his film subjects this way, telling her that art must spring from life. Posing as Makhmalbaf from this point on, Sabzian visits the Ahankhah family several times over the next two weeks. He flatters them by saying he wants to use not only their house in his next film, but also their sons as actors in it. He even obtains a substantial amount of money from them (ostensibly to prepare for the film). Mr. Ahankhah has his suspicions, however, especially when a magazine photo shows a younger Makhmalbaf with darker hair than that of Sabzian. He invites a journalist (Hossain Farazmand) over, who confirms Sabzian is indeed an impostor. The police come to arrest Sabzian, while Farazmand takes several pictures for his upcoming article: "Bogus Makhmalbaf Arrested." Kiarostami intersperses these scenes throughout the film, in which the events described above do not progress chronologically; they are re-enactments.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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